My Latest Posts
Wed, 11 Dec 2019 06:19:00 +0000Shine‘Shine’, 2014I created this artwork with my pregnant wife as an offering to our not-yet born son. I designed it with the question in my mind of how I could encode a wisdom that would always offer guidance, regardless of (most any) circumstance. What simple message could I impart to him that would always offer perspective?
Wed, 22 May 2019 22:46:00 +0000The Randomized MandalaFor a number of years I’ve been using mandala-making in my workshops as a method for quickly creating large-scale artwork.
Mandalas have a number of features which make them ideal for this use. For starters, you can take practically any element, like a line or dots or spirals or whatever, and as long as it is repeated with regularity around a central point, it will look intentional. Keep adding elements and building outwards and voila! This is helpful when I’m working with art novices for whom coming up with a compelling completed artwork from scratch could be a daunting task. It allows me to work with any number of people and have each person’s creation be unique. Collaboration between multiple participants can easily be incorporated with each person taking turns adding new elements.
The first thing that is needed is a framework. For a mandala the framework can be a series of circles and a few spokes. The number of each is not so important. The framework will not be visible in the final creation (unless desired)- rather it serves as a guide to staying even in placing and sizing new elements.
So we might start with a framework like this. Then, for any element that is added, decide where it is going, how large it will be, and then repeat the positioning for as many times as the circle has been divided by spokes. Keep adding new elements in a similar manner.Sometimes deciding what to add next can be a stumbling block, especially during a workshop when there isn’t much time for designing. A new twist I have added is using a dice guide:So, by rolling the dice (or going to this site which will give randomized numbers), whatever the dice comes up with your job then is to incorporate the new element. There are no rules for how the element is added- as many or as few as desired, inverted or sideways, large or small, filled in or left open. The great part about this system is that even though it is prescriptive in telling you what to do, it leaves open tremendous room for creativity.The guide can be any elements you decide, and there can be as many as desired (using the randomizing link for numbers not found on dice)Here’s a go I had at using this system using a slightly more complex framework:
Thu, 04 Apr 2019 18:32:00 +0000Substructures IV
Tue, 05 Mar 2019 20:32:00 +0000Beets!
Mon, 04 Feb 2019 23:32:00 +0000Glyphs IV
Wed, 16 Jan 2019 20:11:00 +0000The Problem with Goals and PurposeThis is a bit off-topic, but my interests and thoughts range widely and I’m getting back into speaking my mind, so here goes…
I recently came across a motivational speaker, someone famous for their accomplishments. He spoke about the unorganized expenditure of energy for people not connected to a goal and then stressed the importance of having a goal and then driving towards that with everything you’ve got.
I feel differently about all this. I don’t have an issue with having a goal or striving towards something. What I see is that, generally speaking, the goal itself is not the end. Once that goal is attained, then what? A new goal perhaps. Okay, fair enough.
Fri, 07 Dec 2018 20:55:00 +0000Professional Development with Mountain View SchoolsThis past month I was invited to share perspectives and techniques in my style of art to 5 and under instructors from Mountain View Schools. During my site visit I was inspired with the layout of the school- numerous zones with different features- trees and grass and sand amidst the concrete jungle of Mountain View. I began visualizing my session.
Thu, 06 Dec 2018 20:13:00 +0000Offset DislocationThis concept comes from the book The Self-Made Tapestry by Philip Ball, which I speak about in this post.
Offset Disclocation as a concept arose in the section of the book that looks at how markings occur in on biological bodies. This includes phenomenon such as zebra stripes, fish banding, and butterfly wings. Each organism has its own approach to this and so Philip goes through many potential routes. The implications of the principles he engages take him all the way to pondering how a fetus knows where to place its head and fingers (more on that in a post dedicated to ‘Diffusion Fields’). Very cool.
An Offset Dislocation is like a tectonic fault line. A road is going along and then suddenly, after an earthquake, there is a split that cuts across the land and the road is now a shifted few feet to the side. In this concept, the entire field suddenly shift along a a specific (or sometimes gradual) fracture line.
This artwork of mine is almost, but not quite this idea:
Thu, 06 Dec 2018 19:31:00 +0000Ephemeral Art at X
Mon, 03 Dec 2018 22:59:00 +0000Patterns in NatureI’ve recently gotten back to the excellent book The Self-Made Tapestry by Philip Ball. I began this book at least 10 years ago. It’s a dense read- I need to have head-space available when I approach it (often difficult to come by as parent of a 4 year old!) and I generally need to set it aside for periods of time for integration. This book and other work by Philip about shape, form, and pattern have been highly influential in the evolution of my art.